I’ve been making things move for over 20 years, music videos, animation, graphic design, and for the past few years, content that ends up inside production cars.

APTASS is where that work lives. Personal and professional together, because the impulse behind both is the same: I’m less interested in impressive moments than in building something with enough internal logic to feel real.

Currently at Zeekr, previously Lynk & Co, making drive mode animations and motion content for in-car screens. Work that has to survive real constraints and ship in production vehicles.

My 3D leans realist, slightly stylised, and I work across the full pipeline, Blender to After Effects,  which means motion design and 3D are the same conversation, not separate disciplines. Six years ago I learned 3D to become fully self-sufficient, concept to final render, without a crew.

Roots in photography and film. Still how I think about light, timing, and what a frame needs to earn its hold on you.